While interest in movement in art dates back to the early 20th century with movements such as Futurism and Constructivism, kinetic art as such emerged strongly in the 1950s. Some important milestones.
Pioneer of mobile art, his delicate metal structures in constant movement are icons of 20th century art.
Recognized for his "Physicromías", works that break down color into lines and planes that interact with light and the movement of the viewer, generating a dynamic chromatic experience.
Considered the father of Op Art (optical art), his two-dimensional works create illusions of movement and depth through geometric patterns and color contrasts.
The work combines physical stillness with optical vibration, and is defined by the masterful use of precise geometric figures and a vibrant and diverse colour palette. Through the strategic juxtaposition of these shapes and colours, illusions of movement, pulsations and virtual displacements are achieved on a static surface. This quality,
The work combines physical stillness with optical vibration, and is defined by the masterful use of precise geometric figures and a vibrant and diverse colour palette. Through the strategic juxtaposition of these shapes and colours, illusions of movement, pulsations and virtual displacements are achieved on a static surface. This quality, in dialogue with Cubist principles such as fragmentation and multiplicity of perspectives, intensifies the perceptual experience, offering the viewer a complete immersion in the work. The interaction between geometric shapes, chromatic contrasts and Cubist heritage challenges visual stability, generating a sensation of dynamism and three-dimensionality that transforms contemplation into an active and participatory experience.
Known for his "polymorphisms," works that change their appearance depending on the viewer's point of view, and his lenticular works that reveal different images as they move.
One of the greatest exponents of kineticism worldwide. His works, such as the "Penetrables" and the "Spheres", invite the viewer to physically interact with the work, creating a multisensory experience.
Famous for his complex and often humorous mechanical sculptures, incorporating moving parts, wheels and other found objects.
His works have been exhibited in several international institutions such as the the Musique in Paris, at the Fondation Boghossian and the Verrière Hermès in Brussels, the ZKM Center for Arts and media in Karlsruhe, or the Ullens center for contemporary art in Beijing. His sculptures are present in the permanent collections of important in
His works have been exhibited in several international institutions such as the the Musique in Paris, at the Fondation Boghossian and the Verrière Hermès in Brussels, the ZKM Center for Arts and media in Karlsruhe, or the Ullens center for contemporary art in Beijing. His sculptures are present in the permanent collections of important institutions such as the Musée du Louvre and the Maison de l'Amérique Latine in Paris, the Nelson Atkins Museum of Art in Kansas City, The Museum of Fine Arts in Houston, El Museo del Barrio de New York, the Museum of Latin American Art in Buenos Aires and the National Museum of Fine Arts in Buenos Aires.
Member of GRAV, he explored light, movement and perception through interactive and participatory works.
His "Coloritmos" explore the relationship between color, light and space through geometric structures that unfold in space.
While interest in movement in art dates back to the early 20th century with movements such as Futurism and Constructivism, kinetic art as such emerged strongly in the 1950s. Some important milestones include:h
In the 1930s, Calder began creating suspended abstract sculptures that moved with air currents, which Marcel Duchamp dubbed "mobiles." These works are considered key precursors to kinetic art.
Founded in Paris in 1960, this collective of artists dedicated itself to the creation of interactive works that explored visual perception and movement, actively involving the viewer.
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